Vienna: it conjures up images of schnitzel, strudel and
Johann Strauss waltzes but a new book from a tradition-rich publishing house in
the Austrian capital reveals another aspect of the city now nearly forgotten:
the construction of bicycles, often in tiny workshops and to a surprisingly
high technical and aesthetic standard.
The book “Wiener Mechanikerräder 1930-1980” confirms its authors’
contention that “Vienna is big but the range of its bicycle manufacturers was
once even bigger.”
In 1930 Vienna had more than 100 makes of bicycle and for
the next half-century brands would come and go.
The marques in this book, teutonically organized from “Alpenrad” to “Ziel”
by the four (!) authors, have been painstakingly researched and the heading of
each chapter indicates when the company existed, who owned it, how long the
brand was in production, the location of the workshop, whether the firm
produced its own bikes or brought in bikes under its own name from elsewhere
and sources of information. The effort
to uncover all of these things must have been daunting and indicative of the
fanatical obsession of collectors of which the authors are representative. One of them owns 85 racing bikes. Reference is made to the “tide of bikes”
occupying basements and that during research for the book the authors managed
to accumulate 16 more bicycles and eight frames!
"Wiener Mechanikerfahräder” has a charming, personal touch
to it, perhaps because the companies and framebuilders really were so
individual. One is struck by the brand
names. Some, such as “Williams,” “the Champ,” “Sussex” or “Champion” were
meant to convince buyers that they perhaps reflected the glory of English
manufacturers. But a larger group used
the names of the builders, usually taking the first two initials of the first
and last names. Hence: BBW (Bruno Beranke
Wien); Capo (Otto Cap); Elan (Eduard Lachnit); Er-We (Eduard Reininger); FAB
(Fahrradhaus Adolf Blum); FH (Franz Hrabalek); Frado (Franz Dorfinger); Frigo
(Friedrich Gollerstepper); Friha (Friedrich Hamedl); Geoga (Georg Gartner);
Igro (Josef Grosstab); JoWi (Josef Wilfing); Mipf (Michael Pfeiffer); and so
forth.
The subtext of the book is “From Zero to One Hundred to Zero.” Of the 100 different brands described only one company, Capo, still exists. Yet there is hope as there is a brief chapter on the brave few framebuilders who are working in Vienna today, including Peter Gross although another, Hans Pöllhuber, who operates a store and workshop, has given up framebuilding himself as uneconomic.
Many of the builders and brands in the book are known only
from a single frame and the authors present a number of mystery frames they
have found and invite readers to send them any information about them they
might have. Another personal touch.
“Wiener Mechanikerfahräder 1930-1980” might be about an
obscure era to anyone outside of Vienna but this book is a true labour of love
and a source of great entertainment if you like old bicycles and want to dip
into a different world around them.
“World-famous in Vienna” deserves to be just world-famous and would make
an excellent gift, ideal for browsing through on those long winter evenings
while enjoying a Café Melange mit
Schlagobers.
For more information and to order the book or calendar go to:
“Wiener Mechanikerfahräder 1930-1980”
by Michael Zappe, Walter Schmidl, Martin Strubreiter and Werner
Schuster,
with photos by Philipp
Horak
347 pp, ill. With text in German
ISBN 978-3-85119-342-8
Verlag Brüder Hollinek, Purkersdorf, Austria, 2013
59 Euros, plus shipping
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