Unlike other sports that take place in
a confined environment—the tennis court, football stadium, or
cricket pitch, for example—bicycle road racing is open to the
elements and events take before a diverse backdrop featuring
geographic highlights of many countries. Add to this ever-changing
weather, different road surfaces, colourful jerseys and colourful
personalities and the rolling circus atmosphere provides the
photographer with limitless opportunity.
Philipp Hympendahl is a commercial
photographer working for one of the world's leading detergent
companies in Germany but when he is not taking snaps of soap boxes or
whatever he might do there he turns a passionate lens on bicycle
racing. His aim is not that of a typical sports journalist. Rather
than capture the well-known champions and classic races, he and Tim
Farin, who has contributed short essays, state in their introduction
to their recent book “Beyond the Finish Line” that “they
enourage their audience to take a different view: to relax, to
observe, to feel the beauty of the moment, the emotions and actions,
all of which leave room for imagination.”
So what we have is a kind of art book,
with cycling as a unifying theme. There are no captions to the
photos, although the event is indicated (“Tour de France 2013,”
“Paris-Roubaix 2014,” “Amstel Gold 2013” to note the famous
ones; “Circuit Race Baarlo 2014,” “Arctic Race of Norway 2014
(!),” “Boxmeer “Daags Na De Tour” 2013” to name the less
obvious). The photos are all of a technically high standard and
include close-ups of fans, long shots of the peloton in action,
moments of intense action and others of serene reflection.
For those having experienced the thrill
of pro racing in Northern Europe, many of these photos will be highly
evocative. Particular favourites would include a gentle downhill
between the crowd barriers, the rolling hills of Limberg ahead,
during the Amstel Gold race; or Paris-Roubaix in 2012, with a lone
rider challenging the pavé,
emerging from the darkness on the right side of the photo. Another
superb photo shows the group speeding along the cobbles through the
Arenberg Forest, a kind of divine light shining down,
spectator-witnesses in near-darkness. Many of the photos are not
necessarily realistic but have been treated to highlight elements.
For example, the grey starkness of Mont Ventoux set off only by some
red Carrefour banners and the red of the weather station tower at the
top.
In
addition to the evocative photos, there are some charming short
essays by Tim Farin about the pleasures of cycling, mixing the joys
(and pains) of the amateurs with the world-weariness of the
professionals or observations of their lives. The pieces are not
linked to specific photos but are a scripted counterpoint to the
images.
Tim Falin (right) and Philipp Hympendahl (left) |
In
addition to the photos taken primarily in 2012-2014, there is a
wonderful image of the 2001 Tour on the Alpe d'Huez, “La Photo,”
which was printed in an edition of six in the massive dimension of
1.80 m x 2.30 m. It was shot on a large format camera and one of the
prints can be seen the Tour of Flanders Museum in Oudenaarde,
Belgiium. There are still some prints available and after enjoying
“Beyond the Finish Line” one might be tempted to clear up wall
space for this artwork.
“Beyond
the Finish Line” with photos by Philipp Hympendahl and text by Tim
Farin
126
pp., hardcover, Edition.Hympendahl, Düsseldorf, Germany, 2014
ISBN:
978-3-00-046552-9
Also
available through the website are fine art prints of many of the
photos featured in the book.
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