Showing posts with label Berlin. Show all posts
Showing posts with label Berlin. Show all posts

Friday, 10 February 2012

It’s Hammer (and Sickle) Time!

Germany has not been considered a great cycling nation on par with France, or Belgium or Italy.  Sure, a German, the quite sturdy Josef Fischer, won the first Paris-Roubaix race in 1896, and more than a few Tour de France stages (and one overall) have been won by Germans but probably the country’s greatest two-wheeled tradition is on the track and Berlin continues to host the oldest Six Day Races in the world, which began in 1906.  There were large-scale manufacturers of bicycles (Opel comes to mind) but as Germany industrialized and produced the first electric trains and (arguably) the first practical automobiles, attention turned elsewhere and the individual victories recorded by German cyclists were not the stuff of legends.  Even now, the German Sports Hall of Fame only includes two cyclists.

Gustav-Adolf “Täve” Schur at speed

The division of Germany post-1945 meant that those behind the Iron Curtain would end up with races and heroes and stories quite different from those in the West.  A colleague in Berlin sent me an article about a museum near the capital that covered some aspects of this and on a recent weekend I persuaded relatives to take me to the Radsport-Museum Wünsdorf.

Around 30 kms south of Berlin’s shortly-to-be-inaugurated international airport in the state of Brandenburg is the small and sleepy town of Zossen, which was consolidated from a number of villages in 2003. It was not always so sleepy as Zossen, and particularly the area that is Wünsdorf, was once the command centre for the Wehrmacht, with massive bunkers and its most modern telephone communications system.  After World War II’s end the town housed up to 70,000 Soviet troops, who departed in 1994, leaving a bit of a shambles behind.  Subsequently efforts have been made to renovate the old military buildings and many have been turned into very attractive housing developments.
The museum is on the top floor

With the departure of the troops and nothing much in the way of industry or agriculture, Zossen-Wünsdorf looked to new ways to survive.  It offers tours of sections of the huge old bunkers, along with a great number of used books.  It is categorized as a “Bücherstadt,” or “Book City,” such as the much more famous Hay-on-Wye in England, but it also refers to itself as a “Bunkerstadt.”  There is what appears to be an unsuccessful restaurant seeking new management and a small art gallery and village centre, along with some souvenirs.  Above the art gallery there is a sign made from an old bicycle fork and we figured this was where the bike museum should be.

Billboard outside the museum

The bike racing museum is above the gallery
We had called first to make sure that the museum would be open on this ice-cold Friday and the man answering the telephone had seemed astonished that we wanted to visit.  He confirmed that it was in fact open and also helpfully warned us about a police speed trap on the outskirts of town.  He told us to come into the bookstore to get our tickets.  We found the store without much effort, passing a big sign on the road advertising the Wünsdorf Radmuseum, and met our interlocutor.  He still seemed nonplussed that we were there to see the museum but he sold us our 3 Euro tickets.  I bought some postcards but we had to invent a price as he had no clue.  But he happily enough took us back outside to the museum and unlocked the door for us, telling us we could also tour the art gallery if we wanted.  He also mentioned that the museum, which is on the top floor of a long building, was not heated and in summer had no air-conditioning.  He reflected with amusement on the seasonal sufferings of visitors and then left us to ourselves.
Walking up the stairs, we went by a mid-1930s Derny track pacing bicycle and then past a very nice green Wanderer racing bicycle that was used by Bruno Roth to win the German pro road championships in 1935.  The bike was displayed with his jersey and a nice photo, showing him in a natty eagle-and-swastika (!) outfit.
Bruno Roth's Wanderer
Moving into the museum proper, there was a nod to bicyle pre-history, with a copy of Baron von Drais’ “Laufmaschine” and an impressively crude high-wheeler.  Then there is a stand with two Diamant road bikes from 1924 and 1940.  Diamant (“Diamond”), founded in 1885, has produced bicycles since 1895 near Chemnitz, Saxony, and after various changes in ownership (including that of Opel from1928-1930) and conflicts the firm ended up as the predominant manufacturer of bicycles in the DDR.  While in the 1950s its products were considered state-of-the-art, it gradually stagnated and by the end of the Soviet era it had been combined with another bicycle company, Texima, under the control of a knitting machine collective.  The company was privatized and since 2003 has been part of the Trek group and continues to build non-racing bicycles in Chemnitz in what is probably Germany’s oldest existing bicycle factory.

Diamant Road Bikes (1924, rear and 1940, front)
The organization of the Wünsdorf collection is not completely clear but seems divided into discrete theme areas.  The first part really seemed to cover East German (DDR) international success and there is a big emphasis on the exploits of Gustav-Adolf “Täve” Schur, nine times DDR Athlete of the Year and, as part of the single German national Olympic teams of the era, winner of a bronze and a silver medal in 1956 in Melbourne and 1960 in Rome in team events.  Six times national DDR champion, he was World Amateur Champion on the road in 1958 and 1959.  His green Diamant road bike is on display with supporting documentation.  “Täve” was the DDR’s most popular athlete and became a member of the Communist legislature after his retirement from racing and after the reunification of Germany in 1990 continued to serve as a parliamentarian in the Bundestag, still representing the East German Communist successor-party.  He is now 80 and apparently supports, in addition to the Wünsdorf museum, another museum dedicated to the famous Peace Race in Sachsen-Anhalt.  He is not without controversy in German sports circles as he has consistently denied institutionalized doping by DDR atheletes, contrary to statements by other East German atheletes.
Schur's Diamant
Close-Up of Schur's Diamant

The Peace Race, known as the Course de la Paix or, to the German, the Internationale Friedensfahrt, was the Soviet Bloc’s answer to the Tour de France and clearly the most important race in Mitteleuropa.  Beginning in 1948 on a route from Warsaw to Prague, it included East Germany in its itinerary in 1952.  One of the highlights that year and in subsequent editions was the inclusion of a brutal little climb in Meerane, a small town in Saxony.  The “Steiler Wand” (“Steep Wall”), as it came to be known, is 342 m in length and averages an 11 per cent gradient.



The race (won by the above-noted Täve Schur in 1955 and 1955) was an event for “amateurs” which continued in that form until 1989 and the collapse of the Soviet Bloc.  Its subsequent history was a gradual decline as East Germany, Russian and other cyclists migrated to Western professional teams and competed in the Tour and other big name races and the final edition, after an uninterrupted 57 year run, was in 2005.
Peace Race Display
Wreath for the winner of the 1960 Peace Race: note the DDR "Hammer-and-Compass" insignia
Many winners of the Peace Tour went on to impressive careers: 5-time winner Steffen Wesemann, for example, was a force in the Spring Classics  won the Tour of Flanders in 2004 and Jens Voigt won in 1994.  The race is marked with a display case of medals and clippings at the museum as well as the pristine blue Colnago Master ridden in 1983 to an unexpected victory by Falk Boden.  The race was also a proving ground for younger riders.  Winners of the junior edition of the Peace Race include Fabian Cancellara, Denis Menchov, Roman Kreuziger and Peter Velits.  I cannot resist adding that a British team, made up of semi-pros and real amateurs, won the Peace Race in 1952, with Scotsman Ian Steel taking the overall, undoubtedly to the shock and astonishment of the other “amateurs.” 

A section of the museum is dedicated to the four man team that won the silver medal at the 1960 Olympics in the Four Man Pursuit event on the track.  Althought the Italians were supreme in cycling at the games that year, the East Germans (competing as part of the combined East-West team) won silver on the track and on the road (Täve Schur leading his four man time trial team); as well, a West German, Dieter Gieseler, won silver in the 1 km track event.  In addition to the various Olympic certificates, jerseys and photos, the museum also has an impressive silver trophy awared to the pursuit team when the riders set a world record of 4:32.8 at the Vigorelli Velodrome on October 26, 1959.
1959 Trophy for World Record in Team Pursuit


Positioned next to Falk Boden’s Colnago is an evil-looking all-carbon FES time trial bike which was ridden by Jan Schur (son of the inevitable Täve) to a gold medal in the 100 km team time trial at the Seoul Olympics in 1988, bringing the family haul of medals to a complete set of gold, silver and bronze.  FES, which is an abbreviation of the less-snappy Institut für Forschung und Entwicklung von Sportgeräten, was established in 1962 in Berlin by the East Germans as a research and development institute dedicated to sports equipment.  It continues to operate today financed by the Federal Republic.  It began working on bicycle technology in the 1970s and in 1984 produced its first carbon disc wheel.  FES is involved in a wide range of sports projects, including speed skating and kayaking.

1983 Colnago Master (left) and 1988 FES Time Trial Bicycle (right)

The museum is worth going through slowly as there are lots of interesting artifacts, including plenty of signed jerseys from German stars.  Here is one from Jen Voigt; another from Erik Zabel.  But some of the stories are a bit more obscure.  I was very much taken with a lovely silver Rickert track bike hanging from the ceiling.  It had a big sign on it and I was delighted to learn of the bike’s Canadian connection:

Rickert Track Bike

Heinz Dieter Reinhold lived in West Berlin until immigrating to Canada in the mid-1960s.  Shortly thereafter, legendary Dortmund framebuilder Hugo Rickert constructed this track bike for him and it was brought to Canada by Gussi Kilian, son of Germany’s famous track star Gustav Kilian, who was then retired but serving as a coach on the West German national team.  Reinhold competed in seventeen Six Day Races, placing well although never enjoying outright victory, and rode in races in Montreal, Quebec, Toronto and Delhi, Ontario before retiring from racing in 1973.  He returned to Germany and the Rickert continued to see service as Reinhold was a trainer at the track in Kaarst-Büttgen, near Düsseldorf. 

Bernd Drogan's World Championship Time Trial Bike
In addition to Reinhold’s Rickert, the museum displays two more track bikes, representing the outstanding success of DDR athletes.  Both are Diamant/Textima bikes and one was ridden by Bernd Drogan to gold in the 1979 World Championships at Valkenburg in the 100 km team time trial, and the other one of the team bikes used by 5-time track World Champion Detlef Macha in the same era.

1989 Rund um Berlin winner's certificate: 210 kms in 5:15:27

Rund um Berlin jerseys

The final part of the museum tells the story of Rund um Berlin, the oldest German road race with its start in 1896 and, sadly, extinct since 2008.  The race had national signficance primarily and was only won three times by non-Germans but the winners’ ranks include, yes, Täve Schur, Erik Zabel, Jan Ullrich, Olaf Ludwig and Robert Bartko, as well Wolfgang Lötzsch, who was probably the DDR’s finest cyclist in the 1980s but denied opportunity to compete in big races for his refusal to join the Party and contacts with the West.

Rund um Berlin Trophy

Rund um Berlin ran uninterrupted, with the exception of the war years, from 1896 until 2000 and then a final time in 2008.  The museum has posters, jerseys, photos, certficates and medals spread out over the entire time of the race.  Included is a trophy that is apparently modeled on Lady Godiva, probably the only nude-woman-with-long-hair-on-a-horse trophy ever awarded for cycle sport.  The first race originated in Zossen and made its way in a big loop completely around Berlin without ever actually entering the capital.  Recently, a professional road race has returned to Berlin with the expansion of the Velothon gran fondo in May to include a pro race managed by Erik Zabel and won in 2011 by Marcel Kittel in its first edition.

German national team jerseys

The museum also features memorabilia from cycling clubs in the region, which have a long and impressive history as well.

The museum was opened in September 2009 and I believe that much of the collection originates with its curator, sport journalist Werner Ruttkus.  He has written a book about the numerous cycling World Championships that have taken place in Germany, as well as a book about the history of the BDR, the national cycling organization.  As a personal collection, the museum is impressive but visitors should not expect much interpretive presentation.  The difficulty of any bicycle-focused museum is the problem in conveying the speed and excitement of racing in a static display of artifacts.  Some big-screen videos of historic races or interviews with stars would help but I suspect the museum is not really equipped to invest in this kind of thing.  Wünsdorf is not an obvious place for a cycling museum (Herr Ruttkus lives there) and the surrounding countryside is not necessarily going to bring in many passing cyclists.  Inexpensive but modern media has not been used to promote the Radsportmuseum and it is not easily found on any lists of bicycle museums in Germany or even on search engines.There are questions about the continuing operation of the museum given the few visitors.

As a person with a good knowledge of the history of bike culture and races in Western Europe, I found the Radsport-Museum Wünsdorf to be well worth the visit and very informative about chapters in European racing that were new to me.  See it if you can!



Radsport-Museum Wünsdorf
Gutenbergstraße 1
115806 Zossen/OT Wünsdorf
Germany
Tel: +49 (0) 33702) 9600
Website: http://wuensdorf.radsportmuseum.de/
(Please note that the Website and all exhibits in the Museum are in German only)

Opening hours:
Monday to Friday: 10:00-18:00
Saturday and Sunday: 11:00-17:00
(Tickets are 3 Euros each and can be bought at Haus-Oskar, across the street)

Thursday, 28 January 2010

Berlin Six Day Race Begins Today!

photo by Andrew Curry

It is with a heavy heart that once again I see the Berlin Six Day Race will take place without me spectating.  This is the 99th running of this wonderful sporting event.  At least my Berlin-based journalist friend, Andrew Curry, has been able to do a write-up about it, which you can find here.

I am sure it will be yet again a great event, with superb racing and a lot of beer.

January 29th UPDATE:  Since posting the above, I see that my good friends at Pezcyclingnews.com have provided an interesting analysis of the race in Berlin, which you can read here.  It does not sound like smooth sailing in the world of the Six Day Races.  Although I knew that Dortmund and Munich were pretty well done, I have always thought that the last place where the Six Days would have financial issues would be Berlin but the recession is clearly reaching everywhere.  The non-appearance of the flamboyant Bruno Risi is to be particularly regretted.

Monday, 9 November 2009

Mauerfalltag 2009! The Wall (and Not Wall) by Bicycle


It was on November 9, 1989 that a great moment in history took place: the opening of the Berlin Wall.  There are a lot of celebrations going on in the city today (and I really wish I was there!) and a lot of memories brought back.  The unexpectedness of the event was truly amazing and people around the world were deeply moved.

In 1988, British actress Tilda Swinton (who won an Oscar for Best Supporting Actress last year) starred in a short film, "Cycling the Frame," in which she rode a bicycle 160 kms around the Wall.  Now, twenty-one years later, she has done it again in "the Invisible Frame," a 60 minute film that recently was shown at the Vienna Film Festival and, paired with the first film, has made appearances at various Goethe Institutes around the world to mark the anniversary of the Wall's opening. 

Ms. Swinton had not been back to Berlin since her earlier film, a clip from which I am unable to find.  However, here is a clip from this most recent voyage of rediscovery in one of Europe's bike friendliest cities:

If you do not have Flash installed, you can go to this website for the preview.

If your German is good, you can read more about this in the Berliner Morgenpost here.

Sunday, 23 March 2008

The Great Tour of Brandenburg: Part 1

Coat of Arms of Brandenburg

I lived in Berlin, Germany from August 1998 to September 2002. Soon after my arrival, I purchased a book "The Great Bicycle Tour Around Berlin, in 40 Stages" and determined to ride the whole thing. The route described were all around 40 kms each and took the cyclists in a huge circle around the city. It was organized around train stations, with the idea that you could take the train to the start of the stage, do your ride and then come back from the next train station and then start again the following week from where you left off.

The Great Tour was enormous fun and gave me the opportunity to see Eastern Germany up close and personal.

Saturday, April 3, 1999: The Great Tour of Brandenburg Begins

After a Good Friday of perfect weather spent doing housework, I was resolved to get out and start my first leg of the Great Big Bike Ride around Brandenburg. Of course, on the Saturday, the weather was not quite as good as the house-cleaning day, with overcast skies, but with no rain in the forecast, I thought it would be okay even if not very photogenic.

I got to the train station in plenty of time to get my “Regio”, as they call regional commuter trains here, but in the best tradition of bureaucracy, I could not figure out how to buy a ticket for me and Mr. Bicycle. The vending machines were only for local traffic and the other machines did not cover Regios, but only long-distance traffic, so I decided to just buy the ticket on the train, which is allowed but usually costs somewhat more. There were several other cyclists waiting and they said I could do this. They were probably scandalized by my non-German lack of preparation, but the train was about to come in and we had to get ready to drag things on board.

The Regios are nifty red doubledecker trains, with special sections for bicycles. Unlike Switzerland, where local trains use hooks to let you hang up your bikes, the German system lets you sit next to the bike, but wastes huge amounts of space since the bicycles are just upright. There is an elastic cord you can wrap around several frames, but the whole thing is not very efficient and bikes fall over easily. Unlike hooks, other people’s bikes are near yours, which is a bad, bad thing for owners of brand-new, super-expensive custom-built English Racing Green sport-touring bikes who live in complete terror of having their babies scratched. Luckily, the train was not crowded so the danger was minimal.

Sitting next to me was a young man with a pretty short haircut and wearing camouflage motif clothing. He had a duffel bag and was listening to a really loud Walkman, which I could hear from about 3 meters away, although I could not make out the music but only the thumping bass. At 0 meters, I would have thought early-morning deafness was guaranteed.

Off we huffed and puffed and before I knew it, we were at my stop, Brieselang on the outskirts of the Berlin urban area, about an hour from Bahnhof Zoo. No conductor had appeared to take my money, so my introduction to the Regio was a freebie. My camouflaged friend got off as well and as I rode away, he was standing on the platform for the train heading back to Berlin, singing to the tunes on his Walkman (“Jawohl!”). Of course, Mr. Innocent Canadian suddenly realized this was one of those Neo-Nazi thugs we read about in the papers at home.

Not much to see in Brieselang, so off to the west towards Zeestow, a charming little village where I stopped to take a few photographs of the Real Brandenburg. As I was to discover subsequently, all towns in the Land are somewhat similar in layout, grouped around the village church. The area was historically staunchly Lutheran and it was remarkable to see just how many churches there were. They survived East German times but some of them did not appear to make the transition into the post-1989 Germany and were derelict. It seemed to depend on the size of the town or village involved.

Following the directions in my guidebook, I turned right off the main road and onto a country pathway lined with cherry trees in blossom. Although the cherry trees cheered me up, the road surface did not. It quickly dwindled from a hard-packed pathway to what appeared to be tractor ruts in the sand. And what sand! Brandenburg is famous/infamous for its sand, which is as fine as sugar. Good for white asparagus, perhaps, but this is not the ideal surface for a custom-built English Racing Green sports-touring bicycle with darn narrow, 145 psi-inflated tires. I did learn that you can push a bicycle in the sand even if you have cleated racing shoes since the cleats sink too. This went on for about 2 kms until I crossed some railroad tracks and came once again onto a hard-surfaced road that took me through a little industrial park.

After getting mildly lost, I found the right road towards my next goal, Tremmen. The road was now quite good and I was cruising nicely through a flattish agricultural region at a good clip. The guidebook warned me that the untrained would suffer going up the hill to Tremmen, but I did not even notice it. This meant that I was either well-trained, thanks to Mallorca, or I was going the wrong way. Luckily, I was going the right way, but the guidebook, which was accurate in saying that Tremmen had perhaps seen better days, was coy about the next stretch of road towards Wachow. Here I was to really discover the cobblestones of Brandenburg.

Tremmen is a typical Brandenburg town, with a main street of cobbles leading past the church. The houses are well-constructed and quite substantial although there is a bit of monotony since there were not a lot of colour varieties of brick used. Most are a brownish tone.

The cobblestones deserve some mention, and will get a lot during the entire ride. They come in several different flavours: the Yellow Brick Road, which is yellow bricks in a herringbone pattern, tightly-laid and somewhat smooth; the Small Cobblestones, which are not so tightly-laid and give a jarring ride; the Cyclist Smashers, which are gigantic rocks with arched tops that make you feel as if you are being hit with a great flat object as you ride. The Smashers really cut down your speed, not only because you cannot ride fast, but because after you pass over them you have to stop and tighten up all the bolts and screws on the bicycle or things will fall off. Riding on the shoulders does not work very well, since they are the already-noted sugar sand and bring you to a complete stop immediately.

The main street in Tremmen was composed of Cyclist Smashers, but I was fortunately able to ride on the sidewalks, which are just smooth brick, like the ones in Berlin. After Tremmen, there was an ordeal of Small Cobblestones partway to Wachow, but then things improved to an excellent regional road. This road had a first-rate bicycle path running alongside of it. I am not sure of the need for such a path, since the road is not heavily travelled and paths are expensive to maintain. I noted these unnecessary paths in a number of other sections of my ride.

Wachow was small and charming and, following an alley of chestnut trees, I was soon riding along a smooth road through an extensive marshland. Off to one side was a large field with a gigantic flock of large white birds. I stopped to look at them, thinking they might be the famous Brandenburg storks, but the more than fifty birds I looked at were surely a type of egret, a member of the heron family and quite common in the American South. I have seen lots of them in the Carolinas, in particular. In the USA, they were heavily hunted in the early years of the century nearly to extinction to meet the demands of the women’s hat industry and this ridiculous slaughter resulted in establishment of the Audubon Society on a national basis to successfully combat the hunt. These now-German egrets (from Africa, I guess) looked very happy standing around in the fields.

But better was to come. I stopped in the tiny town of Päwesin, on the east bank of the Beetzsee, to look at an enormous tripod between two houses on the main street. This structure was about 15 meters tall and my suspicion that it was a stork’s nest was happily confirmed when a tall, white bird with black wing patches looked down at me. I observed the stork for a few minutes and was delighted when the stork changed position and I had the chance to see another one beside the first. A nesting pair! This was very exciting to a Canadian who is not used to such large birds calmly sitting in an urban environment, although perhaps Päwesin might not be considered urban. But there they were, right on Main Street.

Heading now in a southerly direction, I passed quickly through the villages of Weseram and Klein Kreutz, arriving in Brandenburg am Havel (Brandenburg on the Havel River, as opposed to the Land of the same name) just before lunchtime.

Brandenburg/H., as they write it, is an old cathedral town, founded in 928 AD, but I did not find it terribly interesting. I spent no time exploring it because the traffic around it was terrible. Everybody was doing their Easter shopping before the stores closed and they would all starve on the weekend. Getting only moderately lost, I went up a very busy street on the west side of the Beetzsee, looking for a bicycle path that my guidebook claimed existed. Since the path was supposed to run alongside the lake, I turned right to go towards the Hotel Seeblick, or Lakeview, which I cunningly calculated must also be on the lake. Luckily, the hotel had a large map of the area outside and I discovered I had ridden right past the bikepath. Retracing my steps, I found a quite good bikepath, marked by a sign slightly larger than my hand. The Germans could certainly take another lesson from the Swiss, who use great, big signs that you cannot overlook and then show you are on the right path with regular confirming signs.

I stopped for my sandwich lunch on the shores of the Beetzsee at Brielow. Brielow had a nice big sign dedicated to its stork population, showing how many young had been hatched and where they lived. The bicycle/walking path was called the “Storchwander-weg” and I hope that they are successful in attracting visitors because of the storks.

The lake is fairly narrow and was very calm. There were plenty of bulrushes and although it was overcast, the whole scene was very peaceful and pretty. Compared to Ontario lakes, though, Brandenburg ones feel more like large ponds.

At this point, I had a slightly annoying equipment failure. My handlebar bag, which is supported by an odd bracket-and-string arrangement, chose this time to start flopping down onto the front wheel. After struggling for some time, I realized that I was using the wrong-sized screwdriver head to tighten up the bracket screws. As someone who always begins a project by reading the instructions and assembling it backwards, this did not come as a big surprise. Since the ride was meant as a test run for the new equipment, I was not overly concerned and everything functioned properly after this brief fuss. I suspect that when the people at Mountain Equipment designed the bag holder, they did not include the loosening effects of cobblestones in their calculations.

Refreshed, I returned to the road, a lovely stretch through Radewege, Butzow, Ketzür, Gortz and Bagow where I easily maintained a 35 km/h pace. There were some nice little hills and some gentle curves to enjoy and even a nice downhill stretch through dense forest. At the crossroads in Bagow, there is a very attractive Jugendstil/Art Nouveau church, highly unusual for the region, which was constructed in 1906. It was a most unlikely coral sort of colour, with brown half-timbering. It still seems to be active as a church.

On to Riewend, on the Riewendsee, which I could not see from the road. Then, without warning, began an astonishing stretch of Yellow Brick Road cobble, running for more than 5 kms. This looked as if it had been designed to last an eternity and it also felt as if it would take that long to ride it. After seeing my average speed plunge, and after losing a lot of the feeling in my hands and wrists, the village of Klein Behnitz was reached.

Consisting of the usual church and cobblestone main street, Klein Behnitz looked as if it was in an amazing state of preservation. If you would take the cars away, it would not have been out of place to see Frederick the Great to ride through, or watch the stage coach to Potsdam bounce over the cobbles. There were no new structures of any kind that I could see. The place would make an excellent location for any film on 19th Century Brandenburg village life. Or 18th Century even.

To make up for the bone-jarring cobblestones, the next stretch of road to Groß Behnitz was beautifully and smoothly paved. It is a mark of pride in Brandenburg to have cobblestones in your town. After reunification, many Eastern towns sold their cobblestones to wealthy Wessies who used them for paving their driveways. As a cyclist, I cannot help but think this was an excellent practice since it led to smooth asphalt, but now some towns are re-cobbling.

The Borsig family, famous locomotive builders in Berlin, had a Renaissance-style chateau in Groß Behnitz, constructed in the 1870s. Ernst von Borsig used the house as a base for the German Resistance and meetings with members of the old Prussian aristocracy, a number of whom were implicated in the July 20, 1944 plot, were held in 1942 and 1943, unnoticed by the Nazis since von Borsig often held hunting parties in his forests. The house burned down in 1947.

A little way further and I found myself in the large town of Nauen. An attractive cathedral, an old Rathaus and an important train station (for the region) later, and I was off on a so-called Landstrasse in the direction of Fehrbellin.

The Landstrasse is an East German thing. An agricutural road, clearly similar to those in France that I have ridden, these streets are look smooth but the asphalt is quite rough. As cars approached from the other direction, I also quickly realized that Landstrassen are very, very narrow, about the width of one car and one bicycle. This is not so good when the cars insist on taking the centre of the road. I had been warned often about the quality of driving in Brandenburg, where people are unaware that drinking and driving together constitute bad policy, but part of the bad accident rate must be due to these surprisingly narrow streets. Luckily, everyone seemed sober and the traffic was light. After all, who wanted to go to Utershorst or Hertefeld or Dreibrück or Hakenberg on a Saturday afternoon anyway? Hakenberg was actually a place people had once wanted to go, but first a description of the area.

Looking at the map, one is impressed by the number of rivers and canals in this region. Also, the towns all seem to be exactly 3 or 4 kilometres apart and constructed to an identical plan (yes, a cobbled main street and a church alongside). Apparently, the Great Elector, Friedrich Wilhelm Frederick the Great’s great-grandfather, encouraged French Huguenots to settle in Brandenburg after their civil rights were reduced after the Edict of Nantes in 1685. It seems that a number of these were clever engineers who were able to drain the marshlands and turn them into productive farmlands. More than 20,000 Huguenot families came to Prussia and more than a few of them settled in the little towns through which I was riding. At one point, one-third of the population of Berlin itself was actually French!

It was tiring riding the rough asphalt and cobbles through Deutschhof and Sandhorst and Königshorst and Dechtow (incidentally, all the names ending in “ow” are actually Slavic in origin rather than German and are pronounced “oh” rather than “off”). But up ahead in Hakenberg I could see something unusual: a monument. Just off the road stands a Siegessäule, a Column of Victory marking the defeat of the Swedes at the hands of the Great Elector’s army on June 28, 1675.

The Great Elector had a tendency to forget with whom he had forged alliances. With Prussia in the centre of Europe, this was a Bad Thing. An alliance with the Netherlands had flopped and ended up with Louis XIV taking pieces of Prussian territory on the Rhine. These were given back but Francophobia reined. Then Prussia joined an alliance against France headed by Austria, with Spain, the Netherlands and Denmark. This did not work out well as the Alliance suffered bad military defeats in France. While the army was camped for the winter in Franconia, far away in the South, the Swedes invaded Prussia in December 1674 and were making a mess of Brandenburg. No alliance troops were coming to the Great Elector’s rescue and his general, the 70 year old Derfflinger, had to move the 7,000 man army right across central Germany, with all the baggage and the soldiers’ 3,000 dependents. Within two weeks, the army was back and Derfflinger chased the Swedes out of the fortress at Rathenow and caught up with them at Hakenberg. The Swedes outnumbered the Prussians but did not realize it. Derfflinger was able to position his 13 artillery pieces to command the field, while the Swedes could only get 7 of their 38 guns to fire. The Swedes lost 2,000 men to 500 Prussian casualties and the Battle of Fehrbellin, although minor in European terms, marked the establishment of the fame of the Prussian army and the Great Elector received that nickname due to this success. General Derfflinger, anxious to boot the Swedes right out of Prussia, took a cavalry force and covered 500 kms in 10 days and inflicted another defeat on the Swedes in Tilsit. Considering that 17th Century cavalry mounts were more like draft horses, this was a remarkable feat.

Fehrbellin, centre of the regional peat industry, is an attractive and active old town. It is linked to Berlin by the A24 autobahn and judging from its prosperity, is probably used as home base for commuters. There is a lot of residential construction going on, but the old part of the town remains intact and is quite charming. Unfortunately, Fehrbellin does not have a railway station, so I was going to have to figure out how to get to Friesack, where there was one.

My guidebook suggested going from Fehrbellin to Brunne and then by a path to Vietznitz and on to Friesack, a trip of about 12 kms. When I reached Brunne, nobody could explain how to reach Vietznitz. In fact, locals suggested that the route, wherever it was, would be quite unsuited to anything but a mountain bike. I took an alternative route that was closer to 25 kms. Unfortunately, 6 kms of it was over really terrible road. This consists of two parallel paths of concrete plaques, each about 1.5 metres in length. It was like riding over endless expansion joints and one had to keep looking for traffic as the whole road was only one lane wide. I would have thought that it would have been easier just to lay down a simple asphalt road through the countryside instead of going to all the trouble of these concrete things, but perhaps they needed them for moving tanks around or something.

Exhausted as I was by this “road,” the last ten kilometres from Warsow to Friesack went very well. The road was superb and interesting, with little hills and no traffic and, as always at the end of a long bike ride, the closer the destination the greater the magnetic pull it exerts. The train station is beyond Friesack itself, in the middle of a field. The station has seen better days as well and although there was a snack bar/pub, the rest of the station was boarded up. Switching from my racing shoes to sandals and finishing up the last of my Gatorade, I rested on the platform and twenty minutes later the hourly train to Berlin pulled in.

This time the conductor collected some money from me. I had had a whole day of adventure in the Prussian heartland, covering 156 kilometres, for a total cost of DM 11, or less than C$ 10. And probably 3500 calories! And I had learned that my bicycle, which I had only ridden 200 kms total in Canada, was superbly comfortable over a long day of riding. I had no stiffness anywhere the next day, to my amazement. I had also learned that the plan of taking the train to a jump-off point and coming back from another worked very well. And I had learned not to trust the guidebook, whose authors have a rather different idea of what constitutes a rideable surface for a bicycle than I do.

Wednesday, 19 December 2007

Now For Something Completely Different...Puppet Carnage!

Mimmo Cuttichio and his Sicilian Puppets

"Does your life revolve entirely around cycling?," people ask me. Distressingly often. In fact, there is usually eye-rolling involved. Or running away.
Just to indicate how well-rounded my interests are and given that the massive snowfall in Ottawa has meant the end of cycling for the time being, I have gone back to my Archive of Interesting Things, back to March 29, 2001. I was living in Berlin at the time and decided to go to a training camp put on by Mallorca-Aktiv, a German group generally setting up trips to Spain but this time they were offering a Southern Italian adventure: two weeks in Sicily.
In preparation for my imminent trip to Sicily for bicycle training, I decided to acclimatize myself by going to a performance by Mimmo Cuticchio, a traditional puppeteer from Palermo. This is probably a little like reading Julius Caesar in Latin to get ready for a trip to Rome, but I could not pass up any production named: "The Terrible and Frightening Story of the Prince of Venosa and His Beautiful Maria." On the other hand, I was alarmed by the idea that the accompanying music was described as a composition for human voice, saxophones and percussion. When I purchased my ticket at the box office the night before the performance, I had no difficulty getting an excellent seat (Row 7, in the middle) and I was distinctly worried about being the only audience member watching a baroque puppet show entirely in Italian.

The Hebbel Theater, where the show took place, is a very interesting building and was constructed in 1907, when Art Nouveau seems to have been going through a particularly organic, and slightly creepy, phase. The facade of the building is poured concrete set with various geometric patterns the height of the theatre. Inside, it is rather dark, with lost of curved dark brown wood panelling but very little ornamentation. In the lobby are pictures of various pre- World War II theatres in Berlin, most of them since destroyed. There seem to be no fewer than three coat check areas on the main floor, although the place is not all that large. On the second floor, there is a large lounge where you can have something to eat or drink.

The seats in the Hebbel are definitely not one of its highlights, being too close together and having too short cushions, but I thought that surviving the eighty minutes of the performance would not be too hard, particularly since I was going to be the only one there. But then I noticed that the theatre was beginning to fill quite rapidly and before I realized it, the place was quite full. The audience looked very artsy-trendy, with lots of black turtlenecks visible. As I was to soon learn, most of those present spoke Italian, as they were all laughing at the jokes before I could figure them out.

On the stage as the puppet theatre, which had brightly-painted wings of cloth and, over the proscenium arch, an inscription describing the Cuticchios as "Sons of Art" [Pupi Siciliani Della Compagnia Figli D’Arte Cuticchio]. With Italian punctuality (15 minutes late), the lights went down and the orchestra pit filled, if filled is the right word when applied to a female vocalist, four saxophonists and a percussionist. The woman began the overture, which was sung in Italian but whose meaning was unclear to me. Was this the famous impenetrable dialect of Sicily? The music was dissonant and pretty weird.

After this went on for a while and I was beginning to regret the 30 DM and the evening lost, out from behind the puppet theatre came Mimmo Cuticchio, a tall, sturdy man with a big grey beard, resembling Verdi with long hair. He was carrying a wooden sword.

Standing centre stage, he began to recite a story about the childhood of composer Carlo Gesualdo (c. 1561-1613). Carlo’s grandfather enjoyed telling the little boy stories about brave knights and famous battles, but one day he told a different story. This was about how King Pippin’s intended bride Bertha is kidnapped by hired assassins, who then release her in the woods to die, rather than kill her (Snow White Syndrome). She is rescued by a woodcutter and gratefully marries him, with several bambini resulting.

In the meantime, a serving girl has been fobbed off on King Pippin as Bertha and the result of this union is two sons. Eventually, Pippin learns of the deception and gets the real Bertha back (but what about the woodcutter?) and two more children, Carlo and Bertha, result from this now-corrected marital situation. But, alas, Pippin’s sons by his marriage to the servant want to usurp the throne and war breaks out. The young Carlo is sent to the Court of Spain, where he falls in love but then returns to claim his inheritance by killing his stepbrothers in fierce knightly battle and becoming Charlemagne, Charles the Great.

I followed this story, which is both a staple of Sicilian puppet theatre and a load of old cobblers, partially through reading the woefully slow and very limited German surtitles and through watching Mimmo Cuticchio very closely. The story went on for quite some time and, except for the reference to Carlo Gesualdo, seemed to have absolutely nothing whatever to do with the following puppet show. But to see Mimmo Cuticchio recite a story was to see a master at work. This method of reciting is also an old Sicilian art.

He portrayed the little Carlo Gesualdo, he played the wise old grandfather. The wooden sword became a potent multiple prop, as it metamorphosized from a sword in battle scenes to a cross in a church. But I was completely transfixed by the seductive beauty of the Italian language as Mimmo Cuticchio played it like a violin. It cajoled, it laughed, it trumped, it regretted, it wept–all in a completely hypnotic music. I really only know Italian from bad opera libretti, a few phrases at a time and I was unprepared for its teasing subtlety, its incomparable attractiveness. I forgot about the not-yet-seen puppets and the weird music and the uncomfortable seat and just wanted Mimmo Cuticchio’s story never to end.

But end it did, as the puppetmaster replaced the storyteller and we learned that Carlo Gesualdo, a nobleman, went on to became the Prince of Venosa and a celebrated composer and musician and that we would now see his (and the Beautiful Maria’s) Terrible and Frightening Story.
In the opening scene, Carlo Gesualdo and his beautiful wife, Maria d’Avalos, are guests of honour at a party to celebrate his latest madrigal. Carlo lives for his music and has begun to take Maria for granted. Carlo’s wicked uncle, seeing a golden opportunity, makes a pass at Maria, who rejects him forcefully. She tells him to join the others, who have left for a hunt.

Carlo is an excellent huntsman, and when his uncle’s attempt to kill a wild boar fails, the nephew returns shortly afterwards with the kill. This angers Uncle even further. In the meanwhile, a band of brigands waits in the woods for a likely victim to waylay. Ignoring a poor old man with a donkey–to rob him would be dishonourable–they instead attack a wealthy young nobleman, Fabrizio Carafa, who is travelling with his cowardly servant on horseback. Using the time-honoured Let’s-Attack-One-At-A-Time style so beloved of movie villain gangs, the brigands attempt to do battle with Fabrizio Carafa, who kills all but one single-handed. This is quite a remarkable thing to see when do with marionettes. The FX (Special Effects) marionettes are used, with heads and various appendages flying off when struck with swords.

The surviving brigand admits he is not the leader of the group but works for the notorious Sciarra. "You steal from the rich and give to the poor, don’t you?" asks Fabrizio. He is impressed by this socialist attitude enough to let the brigand go, taking a message to the notorious Sciarra that if he ever wanted to fight, Fabrizio Carafa was ready to meet him man-to-man.

Carafa’s servant comes out of hiding to tell him that the horse has run off. They walk through the forest to reach yet another party chez Gesualdo. Everyone is delighted to see the popular Fabrizio Carafa and for the bored but beautiful Maria, it is love at first sight. And reciprocal. "You are as beautiful as an archangel," she coos to Fabrizio. This line, which even sounds corny in Italian, provoked huge amusement amongst the audience. For Maria, this is no slavering uncle-by-marriage: this is Hot Stuff indeed! Uncle notices Maria and Fabrizio’s mutual attraction and really goes around the bend. And a Spanish nobleman offers Fabrizio the use of his nearby hunting lodge, so we know that Big Trouble is Brewing.

Having failed with his words of honey, Uncle turns to the obvious alternative: sorcery. Casting spells in the basement, he summons up a remarkable array of demons who fly off to their assignment of poisoning the minds of all those at the court of Carlo Gesualdo. Then Uncle goes to tell the poor Prince of Venosa all about the affair.

Unable to believe what he hears, Carlo demands confirmation, asking his trusty chamberlain if the sordid story is true. At this moment, a demon stands behind the chamberlain and directs his every word, spewing out the whole dreadful story. Carlo, now himself possessed by a particularly original red-and-black winged demon, feels that court etiquette demands that his honour can only be salvaged in one way: Italian Revenge!!

We see the hunting lodge, where the naked Maria (!) and Fabrizio (!) cavort in innocence (actually, they are cavorting in bed, so perhaps it is not so innocent). Then there is the arrival of Carlo Gesualdo’s hired assassins, who shoot Fabrizio, a nicely modern touch for 1590, although I suppose they needed two killers as the guns were so unreliable then. The Prince of Venosa finishes the crime by personally stabbing his wife repeatedly.

Horrified, and apparently shed of his winged demon, Carlo Gesualdo is contrite for what he has done. He tells his chamberlain that he will never leave his castle again and will receive no one for the remainder of his days. And so ends "La Terrible e spavantosa storia del Principe de Venosa e della bella Maria." The curtains fall and we are left to reflect on the Depravity of Mankind yet once again.

The puppets used to portray this story (which is a true one, incidentally) are marionettes about 80 cm tall and fairly heavy. Generally, a rod is used to operate the left arm and a string is used for the right, but others of the puppets are controlled only by the highly-visible rods. Some of the puppets have been used by three generations of Cuticchios and there must be a fair amount of repair work needed, particularly after the fight sequences which are a notable feature of Sicilian puppetry. In the scene where Fabrizio fights the brigands, the puppets crash together with swords or spears in their hands. One puppet is decapitated, another is cut in half through the torso while the others just collapse dramatically into heaps.

The scene where Uncle summons the demons was also very memorable. Not only were the demons wonderfully creepy to look at, but their entrance was marked by a blinding flash of light as a fiery comet crossed the stage, leaving a strong brimstone (cordite?) smell in the Hebbel-Theater.

The music, by Sicilian-born Salvatore Sciarrino, was based on works by Carlo Gesualdo and Domenico Scarlatti and was surprisingly very good. The four saxophones, of assorted ranges, sounded almost like trumpets and gave a properly baroque feel to the proceedings.
After the show was over, the wings of the puppet theatre were pulled down to reveal the core structure and the puppets on their stands. Mimmo Cuticchio returned to the stage to invite us all not only to see the company perform in Palermo, but also to come on stage and exam the marionettes up close and personal. (As I suspected, the semi-nude Maria puppet was a stand-in). The audience accepted with alacrity and there was soon a big crowd of Italian-speaking party animals, including the musicians, the five puppeteers and, of course, me–except for the Italian part--, on the boards.

Puppetry was first imported from Naples in the 19th Century, but the Sicilian variety, with its emphasis on tales of chivalry, including the stories of Orlando Furioso and Charlemagne battling the Moors, has achieved its own reputation. Its popularity survived the advent of the movie theatre, but television threatens it with extinction. It is performed now primarily for tourists. Mimmo Cuticchio has worked to revive this traditional art since 1977 and his apprentices all must undergo a difficult four years of learning.

Puppetry has a very long history and is a powerful metaphoric tool that is rarely used now in the modern world. Unless you count the brilliant and hilarious film "Being John Malkovitch." Watching the fairly simple Sicilian puppets, whose rods were visible and whose facial expressions cannot change, we accept them for who they are meant to portray. In their movements, they come alive for us and their fates are interesting and meaningful. I remember reading a quote from someone involved with the Salzburg Marionettes, who pointed out that when using puppets to perform opera, you are not limited by the physical appearance of a particular singer. A puppet can look exactly as you expect the character to look.

I was reminded of this as well during a visit to London when I saw "Shock-Headed Peter," where puppets are used as a complement to the human actors. As one reviewer wrote, the puppets actually seem more real and sympathetic than the people. The most frightening moment came when the Boy-Who-Sucked-His-Thumbs, portrayed by a rather forlorn and harmless marionette, had his thumbs cut off by a pair of scissors wielded by Mr. Snip-Snip, just as his mother warned would happen. This was done to a puppet, yet you could sense the frisson that went through the appalled audience, an audience inured to the violence on film and television present every night.
So there you have it: non-cycling on my blog. But I will post an account of my trip to Sicily in 2001 since it was a lot of fun too.

Friday, 20 July 2007

Dickes B: Home on Der Spree--My Return to Berlin

Symbol of Berlin: the Brandenburg Gate

June 23-June 29, 2007

I lived in Berlin from 1998 to 2002 and have returned several times since. It is an extraordinary place: perhaps not the most beautiful in Europe, but among the most interesting. Its combination of history, architecture, cultural excitement and sheer livability makes it hard to match. Since I was paying a lot for airfare from the United States to Europe for this year’s bike trip, I decided to make the most of it and spend a week in Berlin visiting friends and enjoying the ambiance of the city before catching a train and going west to France.

My departure from home to the Ronald Reagan Airport in Washington went quite smoothly; my new Performance bike case fitted quite nicely in front of the back seat of a standard taxi. But as I rolled up my pile of luggage I could see the dollar signs flash in the eyes of the Continental staff. “A bicycle case!”, they cried, and their tongues lolled out with joy and anticipation. I had read that many airlines had changed their rules about bike cases and instead of them now being counted as the second piece of luggage, they were to be measured and oversized cases would be charged accordingly. Continental deems an oversized bike case to be anything bigger than you would need for a child’s tricycle with the wheels off so I was stuck with a bill for US$ 190 for a return trip for my case. There is not much than can be done about this when you are standing at the airport ready to go on holidays, so out came the credit card...One of the staff wanted to charge me for overweight baggage as well but apparently paying for a bike case covers that. The Performance case, which cost me about US$ 175, is about the smallest I have seen for a full-sized bicycle. It needs a few additional handgrips but otherwise worked very well.

The flight to Newark was fine but then there was quite a delay before we got going on the next leg of the flight. Newark Liberty International is not a very nice place but the charm of the place is probably no different from most big city busy airports. I wandered around for a few hours and then we finally boarded and it was off to Berlin, arriving in Tegel only about an hour late. I had a very pleasant taxi ride and was soon camped out with my friends.

On the flight across the Atlantic I had somehow become obsessed with the idea that I had left some of the parts of the bicycle in my living room in Washington. I could not remember putting components of the stem back in the case after they had popped apart when I dismantled the Tarmac so I spent a pretty restless night on the flight. However, I did know that in Berlin there were good bike shops where I could get anything that I needed. Last year I was on the flight to Europe when I realized that I had forgotten to pack my cycling shoes but we were able to get a suitable pair surprisingly easily in the middle of the Black Forest. So before I took a nap in Berlin, I very carefully took the bicycle out of the case and put it back together. To my delight, everything was indeed there and there was no damage whatever from the trip. I was always apprehensive about shipping my bicycles and with one this expensive the strain is even more apparent. I could not resist and ended up taking a forty minute ride, going past Berlin landmarks such as Alexanderplatz, Unter den Linden and the Brandenburg Gate before returning.

That was one of only two rides I was able to do that week since the weather was wretched. For late June it was very cold and every day there was howling wind, or else pouring rain. I took a few pictures in the brief interludes of sunshine and visited friends and family for the most part.

Since this blog is about cycling, I will focus on the other bicycle-related things that I did. At the intersection of Unter den Linden and Friedrichstrasse is a beautiful showroom that belongs to Volkswagen AG and is meant to highlight their various brands of cars, from Bentley and Bugatti to Volkswagen and all the way down to Skoda. The place is enormous and there is a nice restaurant and an art gallery. An exhibition was about to open devoted to prints by Chagall, Picasso and Dali but of particular interest to me was a little exhibition opening in the Skoda area. There was one of the slightly goofy-looking Roomsters vehicles, decked out in full Team Gerolsteiner colours and festooned with a fleet of Specialized S-Works Tarmac SL bikes, while next to it was a Skoda Octavia sedan with a roof rack and some bicycles marked “Skoda RS.” The area also had a lot of photographs of pro racing, and the motto: “Skoda: Motor des Radsports” (or Skoda: the Motor of Bike Racing).

The Roomster, which I first saw at last year’s Tour de France, may look a bit odd but it appears to be very practical and you can even get it with an internal bicycle carrier that will allow you to carry two bikes in its roomy interior. It has huge windows and even a panorama glass roof and with a diesel motor would be very economical. Unfortunately these cars are not sold in North America. I guess I need another European posting so that I can buy one.

Now, here is a bike shop!

One of my other stops on my tour of my old haunts of Berlin was Stadtler, a huge bicycle shop in the western part of the city. This was once housed in a tiny ramshackle two-storey building but when I lived in Berlin the store moved to much more spacious surroundings in a former streetcar depot. The space is shared with a big grocery story and Stadtler itself is divided into bicycling and motorcycle accessory departments. It is always fun to walk around and see what is new. When the store opened in 2000, it had not only full lines of accessories–everything from tires to clothing to high-end frames–but also had extensive offerings fo excellent bicycles such as Pinarellos and Colnagos. This time the Italians were not so much in evidence and besides Treks Stadtler had a lot of Cervelos, including the very high-end P3 time trial bike. The store has an indoor test area and if I would have had my shoes with me I would have requested a spin on a P3 with full Campagnolo equipment (including a disc rear wheel), although I did notice the bicycle was chained to its stand. Lowering my sights, I got some excellent Roeckl gloves on sale.

The Thin Man on his tall Moots

I did manage to go for a more serious ride than my brief test spin when I caught up with the Thin Man, a fellow Squadra Coppi team member who is now living in Berlin and who works as a freelance journalist. He has covered a lot of interesting science stories and his stuff is definitely worth a read. When we met I was impressed that he appears to be the Talles Freestanding Moots Rider, although I understand that there are issues with this and that he must substantially dismantle his bike before it will fit into a case.



Me at Schloss Börnicke

We met not far from where I was staying in Landsberger Allee. Of course, the first thing that happened was that my bike computer stopped working as the magnet housing came loose and I lost the part holding the magnet in place, although not the magnet itself. The weather was not so great, being grey and windy, but we headed east through the traffic in the direction of Bernau and had a very enjoyable ride that brought us to Schloss Börnicke, on the outskirts of Bernau. This is an old little castle that needs some TLC and is the scene for alfresco opera productions in summer. We stopped for some photos and then turned around and headed back to Berlin into a brutal headwind. I think I got more from drafting Andrew than he did from me, but we managed to get back before it rained on us. With those 50 kms, my cycling in Berlin was at an end and I took the bicycle apart and put it back into the case.

Another Brandenburg Gate: this one made from chocolate!

On Saturday, June 29th I took a taxi to the Ostbahnhof and settled into the high-speed ICE train heading west. Andrew came on at the new Hauptbahnhof and after nearly eight hours of travelling time and changes in Offenburg and Strasbourg we found ourselves in Alsace in Colmar. A brief taxi ride–it is amazing that you can fit two bike cases, two big bags and three people into a Renault Espace with no problem-- and we came to our gite, or holiday home, in the village of Hunawihr, in the vineyards of France, ready for a week of cycling adventures.