"Half The Road" trailer from kevin tokstad on Vimeo.
Kathryn Bertine is a remarkable
multitalent. In addition to having worked as a professional figure
skater, journalist, triathlete and pro road cyclist she has become a
strong voice in the call for greater visibility for women in sports.
It takes reckless courage for someone scraping by on the
less-than-poverty wages of a female bike racer to decide the best way
to promote her sport is by making a full-length documentary video
but, astonishingly, “Half the Road,” featuring an impressive cast
of athletes and experts, is the result and has been playing to packed
cinemas at special screenings throughout the United States and other
countries. What is remarkable is not so much whether it is good or
bad (and it is pretty good!) but that it exists at all.
In the modern age of global connections
there are novel ways of raising money and Ms. Bertine turned to
crowdfunding, pitching her passion for bike racing in May 2013 to the
world after a year of effort and working with cinematographer Kevin
Tokstad to get things launched. The campaign aimed to raise $65,000
and by close of the offer in July had squeaked by as 579 funders
pitched in $65,808 and Kathryn and modest team were off to the races.
The original goal of the project was
described in this way:
Half the Road
is a documentary film that explores the world of women’s
professional cycling, focusing on both the love of sport and the
pressing issues of inequality that modern-day female riders face in a
male dominated sport. With footage from some of the world’s best
international UCI races to interviews with Olympians, World
Champions, rookies, coaches, managers, officials, doctors and family
members, Half the Road offers a unique insight to the drive,
dedication, and passion it takes for female cyclists to thrive. Both
on and off the bike, the voices and advocates of women’s pro
cycling take their audience on a journey of enlightenment, depth,
strength, love, humor and best of all, change & growth.
It is apparent that this already
ambitious goal was eventually superceded by a another broader idea.
Kathryn Bertine wrote:
I began this documentary with the
assumption it was about women’s professional cycling. A few months
in, I realized the film was about equality and society, as told
through the medium of cyclists. Half The Road is my hope that someday
the whole world will see sports not as “men’s” or “women’s”
but as equal athletes on equal playing fields.
There is a lot of wonderful material in
this video. We see some exciting bike racing and have the
opportunity to hear an impressive selection of women athletes talk
about their careers and, often, the struggle to make ends meet, let
alone get recognition. One cannot help but be impressed by racer
Nichole Wangsgard, a university professor with a Ph.D, who had to
keep her racing secret from her employers, and dealing with with must
have been a very difficult situation in being part of a gay couple in
Utah. Many of women cycling's star riders have their turn in front
of the camera including the Netherland's Marianne Vos (three time
former World Road Champion) who is one of the few to be a genuine
sports celebrity in her home country and Kristin Armstrong, who came
back from having a child to win the rainbow jersey in the time trial.
It is an indication of how tough things are for women that
Armstrong, winner of two Olympic gold medals and twice World Time
Trial Champion, is usually confused with Lance Armstrong's wife of
the same name when mentioned at all. Many of the cyclists are
probably known to fans of women's pro racing but barely to the
greater universe of fans of men's racing and pretty much invisible to
the sports world beyond that. These women train hard, race hard and
put on a good show on the road. Why is their sport in the state it
find itself in?
Kathryn Bertine points an accusatory
finger (well, more like waves a clenched fist) in the direction of
several culprits. The Union Cycliste International (UCI) is the
sport's governing body. It has historically shown no interest in the
women's side of the sport except to invoke ridiculous rules such as
the one limiting the average age of women pros on a team. This rule,
which certainly would be detrimental to someone like Ms. Bertine who
is in her 30s, is stupid and the point is made. Not once but several
times.
And this is the major drawback to this
film, otherwise commendable in so many ways. It obviously comes with
a message but rather than simply leaving the women to tell their
often compelling stories the producers add too much to underscore the
message that there is inequality out there. Poor Brian Cookson,
elected to reform the UCI in 2013, looks rather gormless as he is
shown looking uncomfortable while lamely suggesting that women might
be “weaker.” This is a “Gotcha!” moment. Cookson was the
key figure in the revival of near-bankrupt British Cycling, which has
had terrific success not only in men's racing but also seen a
generation of fine women competitors develop. The UCI, it is
revealed at the end of the film, has dropped the average age rule for
women's teams and this too weakens the message.
The other culprits besides the UCI are
race organizers who do not give opportunities to women to compete and
take advantage of the infrastructure established for men's events.
This is a fair enough suggestion but, playing the Devil's Advocate
here,(disclaimer: I was one of those 579 funders of this video) it is
not clear how this would work in an era when even the men's races
struggle for financial support. For example, after disillusionment
set in following revelations about Jan Ullrich, Germany went from
three top-level men's teams to none and lost most of its top-level
races, with only the dreadfully boring Cyclassics in Hamburg still on
the UCI World Tour. The United States, where bike racing remains a
marginal sport at best, was once host to stage races like the Tour
DuPont and the Tour of Georgia but the highest visibility event
remains the Amgen Tour of California which, while not on the UCI
World Tour, still draws top racers from Europe. And the structure of
men's racing is far deeper, with the World Tour at the top with “farm
teams” at the UCI Pro Continental and UCI Continental levels below.
In 2014 there was a total of 32 teams in the single UCI Women's
Teams division. Of course one reason there might be comparatively
few women is the sparse selection of races: in the UCI Women's World
Cup in 2006 there were 12 races; in 2014 only 9.
The difficult situation that women's
pro cycling finds itself in is tough enough but the filmmakers
brought in the issue of inequality in women's sports as a whole.
There is a bit too much coverage devoted to the belief that once upon
a time that women were simply too weak/ladylike/modest to compete it
the rough-and-tumble world of competition. There is an interview
with the remarkable Kathrine Switzer, who entered the 1967 Boston
Marathon when women were not allowed to do so and roused the ire of
officials. A great story but women have been allowed to run
marathons (Switzer won the women's class at the 1974 New York
Marathon) for four decades so there is not really an issue there as
Kathryn Bertine is arguing, it appears, that women should have bike
races that parallel men's events rather than unisex ones. And this
brings us to the unspoken question of why women's sports, with the
possible exception of tennis and golf, have never managed to achieve
the financial status or visibility of any men's sports. As to team
sports, of which cycling is one, there are no women's sports
approaching the level of men's at all. The FIFA Women's World Cup,
to be played in Canada in 2015, will see many teams competing with
players who are only semi-pros or amateurs as there is no money
either in what is for men the most popular sport in the world.
The third theme that enters the story
is Kathryn Bertine's own attempts to obtain a berth at the 2012
London Olympics in women's road racing and while this underscores how
difficult it is for small nations to compete (Bertine rides for the
Caribbean islands of St. Kitts and Nevis) this parallels the problems
that poorly-funded teams just can't compete with ones rolling in
dough. This is a problem not just for small nations or women's teams
but appears throughout sports and while it is an issue for
consideration it burdens this documentary, muddying the message by
just piling on too much in the 106 minutes of running time. The
video would benefit from a more focused story but it is
understandable that a first-time director, with no video experience
at all, would be enthralled by so much excellent footage that
punchier editing would fall a bit by the wayside.
But forget the nitpicking since “Half
the Road” is valuable for exposing us to some great athletes and
interesting people we would never get to know if we had to wait
around for a major network or pay-channel to provide some exposure.
With the Amgen Tour adding a three day women's event in its next
edition and this year's successful La Course at the Tour de France in
Paris we might be seeing a light at the end of a long, dark tunnel
that is opportunity in women's sports. There is much food for
thought here, if not many proffered solutions.
Returning to the director's words, her
goals are truly worthwhile and she must be commended on what must
have been a very difficult project to complete within a budget that
represents three or four of Team Sky's Pinarellos:
I wondered if any other female pro
cyclists might talk to me about their obstacles, their ambition, and
their unconditional love for a sport that was often thankless, cruel,
and unresponsive to change. What is the true joy of cycling,
and how do we fix the wrongs? I’ve always considered “sport”
a euphemism for “society”– I believe by changing one, we affect
the other.
“Half the Road” is available as a download at iTunes or as a DVD directly from the producers at www.halftheroad.com for the nominal sum of $18.71. Even better, head out to one of the screenings and show your support for women's sports as well. A list of these events as also at the Half the Road website.
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