Showing posts with label pave. Show all posts
Showing posts with label pave. Show all posts

Saturday, 28 December 2013

All Hail De Ronde! The Centrum Ronde van Vlaanderen

The Royal Tyrell Museum in Drumheller, Alberta is the only palaeontological museum in the world where you can walk outside and actually dig up dinosaurs. Bicycle racing has its equivalent: in Oudenaarde, Belgium where the excellent Tour of Flanders Centre, housed in a modern building, stands near to the finish line of arguably the greatest One Day Classic: the Tour of Flanders. And you can go off and ride the Tour yourself from the front door. But you had better enjoy cobblestones.


My enjoyable interlude in Oudenaarde in May to participate in the excellent Retro Ronde offered so many activities it limited time available to see the Centrum so a return trip was in order. The plan this time was to bring a modern bicycle and ride some of the hellish Hellingen, the horrible short climbs, often on cobbles, that are to be found in the region and make up an integral part of the Tour of Flanders and then to check out the museum and then drink beer.


The Centrum Ronde van Vlaanderen offers one-stop shopping: in addition to the museum and popular cafe it offers GPS-linked routes from the museum out into the Flemish countryside and in a fit of derring-do we decided to go for the Blue Route, the shortest but hilliest of the three suggestions.


Parking near the museum on a sunny Sunday morning in September and assembling the bicycle, it was amazing to see how many cyclists were already on the road, most in large groups. The Flemish are very well-organized when it comes to cycling clubs and you will see very sizable numbers of riders, often with an accompanying vehicle, enjoying the rolling countryside. Well, it actually isn't so much rolling as pretty flat except for a ridge that is an extension of the Ardennes and that you continually cross from different angles.


The Garmin directed me around the town a bit until we finally picked up a Blue Route sign and began the ride in earnest. It was a glorious day and the first stretch of riding took us along the banks of the Schelde, which had a bit of barge traffic, and it was a good opportunity for some leg-stretching before the challenges ahead. On the other side of the river stands Petegem-aan-de-Schelde, another reminder of a champion cyclist since the similarly-named Peter van Petegem is also from hereabouts. At Km 8.2 the course turned left and soon we were climbing the Oude Kwaremont, which was also featured on the Retro Ronde but had not gotten any easier four months later. Luckily there was no traffic except for a young man on his shopping bicycle who effortlessly passed me as I negotiated the cobbles.





Oude Kwaremont behind me, I found myself on a main N36 road with a huge group of club cyclists but left them on the broad climb when one of them flatted and everyone else waited. Another turn to the left and ahead was the Rampe but I was disappointed (well, relieved) that it was a gradual descent on good pavement rather than the hellish climb of the same name I had experience in May. But then a sharp turn to the right at Km 15 suddenly brought harsh reality: the Paterberg.


This is an awful climb and is now used multiple times during the Tour of Flanders, being more recently used by Fabian Cancellara as his springboard to win the 2013 Tour. It is only 380 m long but averages nearly 14 percent, with a maximum of 20 percent. In 2000 this was one of three climbs I was forced to walk up during the sportif version of the Tour and history repeated itself. I was passed by a number of the club riders but noticed more than a few were joining me on foot lower down the hill.




This humiliation behind, it was time to roll further onwards on the Blue Route. At Km 21 there was a sign for the Koppenberg but I had to wait for a while as a parade of ancient but impeccably maintained antique farm tractors rolled by. Then it was time to head up the Koppenberg. Well, after a while it was time to walk up the Koppenberg. This ridiculous piece of cobbled vertical road was introduced to the Ronde in 1976 but was dropped in 1987 as it was deemed to dangerous for cyclists. It is 620 m in length and the maximum grade is 22 percent. It is very tricky to pick your way through the cobbles with so little momentum and I was joined again by a number of club riders, all of whom seemed very experienced at pushing their bikes. At least there was a pleasant view of the plain below.






Descending and then crossing the N60 I soon found myself on a gentle climb on a wide but wretchedly-cobbled road, the Mariaboorestraat. This led to a short climb, the Stationsberg, at Km 28. Things were going better now as I gingerly proceeded but as a began the gentle descent toward the railway crossing there was a loud “Ping!” as a rear spoke snapped, victim of the merciless pavé. My low-spoke-count wheels meant I now had an unrideable bicycle. I would have been better off with my c. 1978 Cicli Diamant with its thick seatstays and 36-spoke wheels.

Crossing the tracks and getting my bearings, I met a local at the recycling depot. He had a small SUV and I prevailed upon him to give me a ride back to Oudenaarde, which turned out to be only six kilometers away. My 78 km ride had turned into less than 30 km but these things happen. I put the bicycle in the car and walked over to the museum.

The museum is really one-stop shopping. Walking in with my cycling gear and my kit bag, I asked to use the showers and was directed down the hall. After a refreshing wash-up and change of clothes, I returned to the front desk to pay and handed my 2.50 Euros for the shower to none other than Freddy Maertens, two-time Road World Champion, Vuelta winner and the finest sprinter of his day. He was joined at the cash register by a very attractive blonde Belgian who has since gained Pezcyclingnews immortality as a Daily Distraction.



When I asked if I could have a picture with Mr. Maertens there was a horrified response from both of them. I may be the only person in the last few decades who has called him “Mr.” so “Freddy” it is. And he was very gracious about the photo. Freddy Maertens is very personable and speaks excellent English so we had a nice chat about current sprinters, discussing the styles of Marcel Kittel and Mark Cavendish. He had a very rough patch after his cycling career ended but now serves as the curator of the museum and three times a week offers tours. Although he never won the Ronde, with his best performance being a second place in 1973, he boasts a remarkable palmarès, including the aforementioned dual World Championship titles but also 16 stage wins at the Tour de France, where he won the Green Jersey three times, and the crazy 1977 Vuelta, where he sprinted to victory in 13 stages! He also took seven stages at the Giro that year.

Freddy Maertens on the Koppenberg, also pushing
 

The Centrum was renovated in 2012 and looking past the big picture window in the lobby you will see a replica of the Volvo team car used by Molteni in Eddy Merckx's glory days. Before entering the museum you will walk by a bicycle covered with Swaroski crystal and the more practical Ridley time trial bicycle ridden by Tour de France victor and World Champion Cadel Evans. 


Leaving Freddy to attend to his other duties, you will enter a museum which is dedicated solely to the Tour of Flanders. Freddy recommended the short introductory video with fancy split-screen effects, showing highlights of the race over the years. It was a quiet day; I made up half of the audience.




The Ronde van Vlaanderen began in 1913, the brainchild, like the Tour de France and the Giro d'Italia, of a journalist. He was Karel Van Wijnendaele and in Belgium, dominated by French-speaking Wallonia, he felt that there should be an outlet for the aspirations of the Dutch-speaking Flemish. Incidentally, there are no English legends on any of the exhibits at the museum but it is pretty easy to understand what it is all about.


The exhibits trace the origins of the race and its many highlights. The 2013 race was the 93rd edition so there is a lot of ground to cover. French and Italian racers went to Milan-San Remo, which was scheduled on the same day as the Ronde in its early years, so between 1913 and 1948 only one non-Belgian (a Swiss) won. Belgians have won no less than 68 times (the Italians are next at 10) and of those wins only one was by a Walloon, Claude Criquielion in 1987.


The museum is certainly dedicated to Flemish pride (don't look for French-language labels either) and there are some wonderful exhibits, including one entitled “What is a Flandrian?” and is captioned: “They are carved from the same rock from which statues are sculpted.” Tough is good. Feminists will have a laugh about the exhibit explaining why Tom Boonen is much, much stronger than Emma Johannson. I did not notice any special exhibit dedicated to the Women's Tour of Flanders, which is a shortened version of the men's race and is held the same day.



Enough quibbling: there is plenty of good stuff to see here. There are exhibits of many Holy Objects, such as the bicycle Johan Museeuw rode at the Ronde in 1998 and lots of jerseys and many old bicycles. In addition to Ridley, Flanders has had other notable bicycle brands, such as Groene Leowe (“Green Lion”) but clearly the most-loved was ill-fated Flandria, whose red bicycles were a symbol of Belgian dominance in pro racing. The company was founded in the 1950s and sponsored a pro team in the 1960s and 1970s which went on to win every significant race except the Tour de France (although Dutchman Joop Zootemelk came second twice on a Flandria there. The team roster was a Who's Who of cycling and the collapse of the company in 1981 when its moped business bankrupted Flandria came as a huge shock in the cycling world.





There is a special exhibition area dedicated to Walter Goodefroot, famous to a later generation as the directeur sportif of Team Telekom, but someone who had an impressive record as a pro racer himself. His wins included Liège-Bastogne-Liège three times, the Ronde twice and Paris-Roubaix in 1969. His three disqualifications for doping are not mentioned; in fact, doping does not exist in the happy world that is history in the Centrum van Vlaanderen. It is a Flemish celebration, after all, and there are better fora to discuss this problem.


The museum does celebrate its most recent edition with a display on the 2013 race and Fabian Cancellara, in spite of his sporting rivalry with Flemish demi-god Tom Boonen, was a popular winner and there is even a fan club for him in Belgium.



Exiting the museum brings you to a very good little shop where you can purchase retro-jerseys, books and DVDs, along with some excellent Lion of Flanders memorabilia. And after all this cobblestoned excitement, what better time than to walk over to the always-busy brasserie “de Flandrien” for some excellent Belgian beer brewed especially for the place, which also serves as the clubhouse for a local cycling club.

The Centrum Ronde van Vlaanderen is a commendable effort that brings together local pride, sporting tradition and community activity in one very pro-cycling environment. Located 30 kms south of Ghent and 75 kms west of Brussels it should be on the itinerary of every cycling enthusiast. Just be sure to bring a strong wheelset.

Information about the Centrum van Vlaanderen can be found here.  It is open daily except Monday from 10:00 am to 6:00 pm, but is closed for most of January each year so check ahead. If you would like to ride in Flanders from the Centrum, three routes from 78 to 114 km are set out here.

Tuesday, 23 October 2007

Book Review: Paris-Roubaix: A Journey Through Hell

This review was written for www.pezcyclingnews.com

Greg Lemond famously said about cycling:” It doesn’t get any easier. You just get faster.” And for a sport that values the ability to suffer, the least easy of all races is Paris-Roubaix, variously feted as “the Queen of the Classics” and cursed as “the Hell of the North.” In 2006, L’Équipe published a gorgeous history of the race and it is this book, in an excellent idiomatic English translation by cycling historian David Herlihy, that has now been published by VeloPress. Compared to the vast tide of books about the Tour de France, this one appears to be the only substantial work in English about Paris-Roubaix, in spite of the race’s legendary status. This in itself merits its inclusion on a cyclist’s bookshelf, but the book has intrinsic qualities that make it a must-have.

Paris-Roubaix is a throwback to another age. When it began in 1896, the velodrome ruled the land and road races were the exception: difficult to organize and with only a few racers, unable to compete for the rich prizes of the tracks, available to participate. To enliven proceedings, some velodrome owners promoted road races to end at their tracks. This was the case of Paris-Roubaix, and at the first race was so novel and popular that part of the grandstand collapsed under the weight of spectators. The winner, the German strongman Josef Fischer, completed the race at an average of over 30 km/h. So this race had everything: an international field, a challenging route and an exciting sprint finish. It has gone from strength to strength as the other classics from that year (Paris-Mons? Paris-Royan? Bordeaux-Paris?) are long gone, along with most of the velodromes. This book covers the race from its beginnings, a time when cobblestones were commonplace and men and bikes seemed to have been made of iron, to today’s carbon-fiber age but the race has always been brutally hard, a merciless test of men and equipment.

The authors have approached the race in a clever and unusual fashion. Rather than following a chronology, the majority of the eleven chapters of Paris-Roubaix: A Journey Through Hell are divided into different aspects of the race These include: the cobblestones themselves; the impact of the weather; messed-up finishes; unexpected winners; the Roubaix velodrome; and a brilliant chapter devoted to the effects of getting a flat tire. There is a gallery of the most celebrated winners and the whole book is stuffed with marvellous photos taken from the archives of L’Équipe. There appear to have been photographers present at every dramatic crash, or else there are always so many crashes that you just have to stand around and wait.

The race has attracted cycling’s greatest figures, who seem to have always had a love-hate relationship. Bernard Hinault felt that Paris-Roubaix was a ridiculous race, a lottery where chance ruled but he knew that posterity demanded that he win Paris-Roubaix. He did it in convincing fashion in 1981, wearing the rainbow jersey of the World Champion, and crushing five opponents (four of them previous P-R winners!) in the final sprint at the velodrome. Although the race counts several other Tour de France victors among its winners, including Garin, Lapize Coppi and Merckx, it is more notable for its special “hard men,” who have specialized in beating the cobbles, such as four-time winner Roger de Vlaeminck, three-time champion Francesco Moser and the indomitable Gilbert Duclos-Lassalle, who participated in the race seventeen times, finally winning on the 14th attempt and repeating the following year. Their stories are all told in loving detail in this book.

Details indeed. For example, there is a section recounting how Jean Stablinski, a former World Champion, suggested a particular section of cobbles to the race organizers and the famous Wallers-Arenberg stretch, a positively medieval piece of road, was added in 1968. The modernization of France meant the removal or paving over the cobbles that are such a characteristic (and feared) part of the race and by 1968 the race against time was on as the countryside was scoured to find more cobbled roads. At its lowest point in 1965, the Queen of the North had only some 22 kms of cobblestones in its 294 km route. Today efforts have been made to protect and preserve the famous roads and the pros can look forward to more than 50 kms of pavé in twenty-six sections. And the mud and the dust are with us always.

And the people who protect and preserve the roads are the subject of the last chapter, “The Angels of Hell.” Described as the “guardians of the temple,” these include journalists, fans and even the artist, who painted 12 kilometers of cobbles (using 18 tons of paint) as a work of art and a tribute in 1986. This is the kind of insight so lovingly presented in Paris-Roubaix: A Journey through Hell. There is no reference to the amateur version of the ride, held in September rather than in the third week of April as is the pro race, but the Everyman participants in that ride are given a piece of pavé when they reach the velodrome in Roubaix as a memento, echoing pro cycling’s most cherished trophy, the single cobblestone mounted on a plaque, that goes to Cycling’s Strongest Man every Spring. A beautiful book about a beautiful race.

(note: all photos courtesy of VeloPress)

Paris-Roubaix: A Journey Through Hell
by Philippe Bouvet, Pierre Callewaert, Jean-Luc Gatellier and Serge Laget
trans. by David Herlihy
VeloPress, 2007hardcover, 224 pp., $39.95

ISBN-13: 978-1-934030-09-7